The Shows
Each show in ‘How The F’ is a chapter in a larger story.
Follow along from the beginning or choose when to jump in.
The Diary of Anne Frank
August 14-23, 2026 — Theatre Tulsa Studios
By Frances Goodrich and Albert Hackett / Adapted by Wendy Kesselman
Co-produced in partnership by Theatre Tulsa and Home of the Brave Productions
Directed by Jarrod Kopp
About This Production
Anne Frank and her family spent 761 days hiding in a concealed apartment above her father's office in Amsterdam. She was thirteen when they went in. In August 1944, someone informed on them. Anne died at Bergen-Belsen concentration camp eight months later — just weeks before liberation.
She kept a diary. It has been read by more people than almost any other book in history — because her voice is not a statistic. She was a specific person, in a specific place, living a specific life that a government decided didn't count.
This production, adapted by Wendy Kesselman, doesn't soften the story. It gives you Anne — funny, brilliant, furious, and full of life.
The Cast
Anne Frank — Zoey Reyes / Tilly Godwin
Margot Frank — Mary Ohnesorge
Otto Frank — Damien Hartzell
Edith Frank — Jenn Courtney
Mrs. Van Daan — Cat Zelenski-Allen
Mr. Van Daan — Don Amon
Peter Van Daan — Cash Curry
Mr. Dussel — Levi Gerber
Miep — Justine Prince
Mr. Kraler — Russell Mills
Dutch Collaborator — Nico Young
Nazi Officer — Jeremy Geiger
Nazi Soldiers — Lance Burkin, Max McCall
Tickets
The Diary of Anne Frank runs for eight performances over two weekends. Evening performances are at 7:30pm; matinees are at 2pm. Tickets are general admission for $20 each.
August 14–23, 2026 · Theatre Tulsa Studios · 5521 S. Peoria Ave.
1984
Adapted by Robert Icke and Duncan Macmillan, based on the novel by George Orwell
Co-produced in partnership with World Stage Theatre Company
May 2027 — World Stage Theatre Company
George Orwell finished 1984 in 1949, convinced no one would read it. He was wrong — and in this acclaimed stage adaptation, you'll understand why the book has never gone out of print.
This production does something the novel can't: it puts you inside Winston Smith's world. The surveillance is total. Truth is manufactured daily. The past is whatever the Party says it was.
The rewriting of history. The erosion of a free press. Surveillance as a tool of control. The weaponization of language so that words no longer mean what they mean. 1984 was written as a warning. The question this production asks isn't whether Orwell was right. It's whether we'd recognize it.
Tickets go on sale soon. Sign up to hear first.
